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Elements and Performance Criteria

  1. Explore the range of own voice
  2. Care for own voice
  3. Use practice time to develop vocal techniques
  4. Perform pieces
  5. Evaluate own performance

Required Skills

Required skills

communication teamwork and organisational skills sufficient to

interpret music appropriately for performance practice

respond appropriately to constructive feedback on own performance

selfmanagement and planning skills sufficient to

plan own practice time

setskilldevelopment goals

identify areas of weakness and plan practice accordingly

listening skills sufficient to

monitor and adjust intonation as required

develop a sense of relative pitch

use appropriate sound and tone production

produce a controlled sound with variations in tone as required

initiative and enterprise skills in the context of producing sounds in a range of ways appropriate to selected musical style and repertoire

learning skills in the context of

improving vocal techniques and expression through practice

using knowledge of relative pitch to analyse and memorise repertoire

technical skills sufficient touse a range of vocal techniques

Required knowledge

sound understanding of

industry and musical terminology

human anatomy and physiology as they relate to the physical process of singing

qualities of vocal production belonging to each register

techniques for caring for the voice

repertoire relevant to area of specialisation

issues and challenges that arise in the context of developing vocal techniques

OHS principles as they apply to singing

relevant legislation

preventative practice against damage to the voice

correct posture

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

confidently perform at least three songs that demonstrate an ability to achieve the required sound

do vocal warmups and warmdowns

perform a second messa di voce

learn and practise to improve own performance

respond positively to constructive feedback on own performance

Context of and specific resources for assessment

Assessment must ensure

access to suitable acoustic space

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

observation of practice or performance sessions where the candidate is singing

written or oral questioning on technical development strategies planning and goals with respect to developing vocal techniques

video andor audio recordings of performances or practice sessions where the candidate is singing

selfevaluation sheets

samples of work plans for private practice sessions

case studies and scenarios as a basis to discuss issues and challenges that arise in the context of developing vocal techniques

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended for example

CUSMPFA Prepare for performances

CUSMPF302A Prepare for performances

CUSMPFA Rehearse music for group performances

CUSMPF401A Rehearse music for group performances

CUSMPFA Develop and maintain stagecraft skills

CUSMPF402A Develop and maintain stagecraft skills

CUSMPFA Develop repertoire as part of a backup group

CUSMPF403A Develop repertoire as part of a backup group

CUSMPFA Perform music as part of a group

CUSMPF404A Perform music as part of a group.


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Appropriate personnel may include:

musical director

performer

mentor

teacher

coach

tutor.

Aspects of the human voice to consider may include:

vocal sound production

articulation

waveforms

harmonic content

vocal formats

pitch

singing formats

spoken and sung sounds

timbre

vocal range:

soprano

mezzosoprano

alto

contralto

tenor

baritone

bass

register:

flageolet

falsetto

modal.

Range and scope may include:

vocal weight

vocal tessitura

vocal transition points

tone colour

articulation

control and contrast

dynamics and volume

pitch and register

potential for solo or group performance

potential for singing in different musical styles.

Repertoire may include:

songs and tunes for solo performance

choral pieces

acapella pieces

improvisations on rhythmic, harmonic or melodic structures

own original work.

Physical problems may include:

vocal fold problems, such as:

bowed vocal folds

cysts

atrophy

granuloma

paralysis

paradoxical vocal fold motion

chronic cough

chronic hoarseness

laryngeal papilloma

muscle function dysphoria

reflux

vocal nodules

vocal papilloma

vocal polyps

voice misuse.

Ways to avoid physical problems may include:

conducting vocal warm-ups and warm-downs

not performing when sick

knowing own role well

resting before and after performances

knowing when to stop talking or singing

avoiding the use of performance-enhancing medication

getting help sooner than later if problems start to appear.

Strategies may include:

working effectively with an appropriate tutor

practising as a performer

participating in relevant groups or associations

participating in professional development and other learning opportunities

attending master classes

attending performances

listening critically to a wide range of live and recorded music.

Techniques may include:

breathing

messa di voce

articulation, including:

tremolo

vibrato

legato

staccato

accents

gliss

fall-off

ghost note

bend

control of dynamics

rapid figurations

posture

projection.

Music knowledge may include:

repertoire

music analyses and research in selected area of specialisation

musical forms, systems, practices and customs

reading and writing music using written music, sheet music and chord charts

interpretation of directions for:

instrumentation

voicing

expression

timbre

attack

pitch

tempi

dynamics

solo and ensemble protocols for rehearsals and performances

improvisation in performance using aural cues only

chord and melodic formulae.

Exercises may include:

scales

arpeggios

breathing exercises to achieve good breath control and tone colour

exercises for developing techniques, such as:

negotiating one's way through register breaks

modifying vowels at higher pitches

making informed choices about using glottal stops and diphthongs

embellishing a melody

improvising, e.g. scat singing

producing a constant tone on all vowels

comfortably singing wide intervals

correcting vocal faults.

Memorising repertoire may involve:

melody

lyrics

keys

guide tones

arpeggios.

Ancillary skills may include:

dancing

acting

applying make-up

hair styling

song writing

playing an instrument

accurately pronouncing a foreign language.